A beautiful animated poem by our very own Temujin Doran, which is getting lots of attention online after receiving a Vimeo staff pick and a nice plug from the good people ar Scamp.ie
To kick in March with some hopes of Spring and sunshine, Jane has provided us with some bright and fun illustrations she did for a company called Little fidgets.
It's that time of the year again when the great and good in British Illustration pop up in the A.O.I's 'IMAGES' annual. Judgement on number 36 is out soon, while IMAGES 35 recently had it's private view in London, where the various awards in different categories were dished out. Work to appear in the annual is jury selected, so not every Tom Dick and Harry can get in, and subsequently the standard is always high.
Well we are happy here at team FMI to say that we have had not just one, nor two, but three people manage to get into the hefty tome. And if that wasn't enough, some of them even got a number of illustrations into it.
Last February I finished illustrating a book by author Lissa Evans called Small Change for Stuart. I drew on A4 drawing paper, a pad of which I bought from Trago Mills (a department shop in Falmouth) about 4 years ago. It was going slightly yellow, and I spilt Ribena on it a while back. I used a pen also bought from the same shop – I stockpiled, as they were going really cheap at the time.
World Book Day It’s my blog so I’m allowed to brag. For those who know me, you’ll appreciate that I have a bizarre double life. I run ‘The Art of Being Brilliant’ courses by day and masquerade as a children’s author at night. ‘Spy Dog’ has sold almost a million copies worldwide and, I’m delighted to say, has been chosen to be the featured book for this year’s ‘World Book Day’. Pretty cool stuff, at least it is from where I’m sitting. So I’ve written a brand new title called ‘Spy Dog’s Got Talent’, that has a decent shot at being number 1 in the book charts in March.
Published late Spring 2011 – I’m very excited to have contributed to Puffin’s Classics series with a cover illustration.
It’s different having to illustrate a scene (namely the opening graveyard scene in which the convict Magwitch confronts the terrified Pip) which is so well known in people’s minds. But the trick, I soon found, is to forget all that and just draw what they ask, as usual.