Frances McKay Illustration

I wandered lonely as an illustrator

Poetry, and illustrations, together? Alan Marks gives us his experience on combining these two perfect partners.

Mission: Explore John Muir

Tom Morgan-Jones shares with us a recent project he has been working on.

When a Knight needs a wee!

 

 

Following up from his recent books for Ravensburger in Germany, Henning Lohlein brings us another cracking book with a curious tale.

Spy Pets adventure exclusive

 

James De La Rue gets to finally meet the author of Spy Dog, Andy Cope.

Bologna Book Fair 2013

The Bologna book fair was fifty years old last month, and FMI was there along with thousands of illustrators and publishers from all around the world.

The Weasels are here!

To celebrate its publication today here's a blog post from Elys Dolan on the making of Weasels.

Finally, today is the day, the Weasels are here! I’m thrilled that my first picturebook, Weasels, is published and I couldn’t be happier that I’m bringing the heady combination of woodland creatures and megalomania to the world of picturebooks.

Weasels came about as part of my final masters project when doing the MA in Children’s Book Illustration at the Cambridge Scholl of Art. In 2010, over the summer holidays, my class decided to do an alphabet book together in which each person would illustrate one letter. I got W, which is a terrible letter, and I didn’t have a clue what I was going to do with it. I spent most of the summer wishing I’d got T or S or even a nice versatile vowel. At the last minute and after a lot of faffing I came up with ‘W is for Weasels Plotting World Domination’, which lead to produce the image below for the alphabet book.

That pretty much set up the whole book for me. When we resumed the course after the summer I decide to develop this concept into a book for my final masters project and that became Weasels. You can see how that very first image isn’t too dissimilar to the map room spread from the final book (seen below).

Obviously a few things have had to change. For instance the atmosphere is much darker in the original and there a quite a lot of the Weasels are smoking (to echo the 1960s Bond films that inspired the image) but apparently that isn’t really the done thing in children’s books. The general retro feel and level of detail has endured though.

When it came to doing the artwork for Weasels I started by doing a large pencil rough of each spread like the one shown below.

 

I’d then take that sketch and duplicate it using a lightbox and coloured pens to create an outline.

Using the pen outline and the lightbox I’d then create the tone using inks.

Finally I’d scan the line and the ink tone into the computer and layer them in Photoshop. This is what gives the images that slight misregistration that echoes printmaking. These days practice has made me more accurate at matching up my tone and line so that they don’t misregister but I’ve become so fond of that look I find myself nudging the layers around to try to recreate it.

One of the things I really enjoyed about writing Weasels was including all the little asides and ongoing jokes that appear through what the individual Weasels are saying. If I had to pick a favourite quote I think it would be ‘Without this drill I am nothing’ from the Laboratory spread below.

Just over a year ago Weasels was picked by the fabulous people at Nosy Crow who helped me to refine it ready to be released upon the world. To be honest we didn’t change it much at all and I was thrilled they wanted to keep the large 30x30cm format. There’s a blog post on the Nosy Crow site here that gives an interesting insight into some of the differences between the original and published versions.

Weasels is out as of today so if you’d like a copy of you own you can get it here, here, here and at many other wonderful bookshops.